The poem is to be found in a collection entitled ‘Songs of Innocence and Experience’ published in 1794 and should probably be considered alongside another piece written a little earlier called ‘The Lamb,’ thereby contrasting the savage and wild with the meek and wild. But why?
In these lines, the poet contemplates things that are scary and ferocious – a tiger, something burning in the forest. Darkness and night. These are encapsulated in The Tyger, a kind of uber-beast. Could such a being be the work of a loving God? Surely not. Not the same God as made the Lamb!
With an obvious use of repetition and alliteration it is a poem that deliberately breaks the rules - rather like the Tyger itself, which cannot be ‘framed’ – that is, contained. Nor is it, Blake reminds us, anything that can be constructed in a furnace or hammered out on an anvil. It is beyond the reach of our rational analytical selves.
We are invited, however, to come to the conclusion that the Tyger is not evil simply because of this unconformity, or that he might wish to eat us for supper. Nor does the Tyger consider himself to be evil. He is just one aspect of the life-force in all its glorious contradictions and mysteries.
We can admire the Tyger spiritually, therefore, as well as fear it physically - for it, too, is an aspect of the Divine.
Type of Poem = a 'rhetorical' poem of six stanzas, each one being made up of rhyming couplets of four lines (quatrains).
Rhyme Scheme = AABB
Meter = variable, but containing lines of trochaic tetrameter blended with iambic tetrameter - that is, lines of four stressed and unstressed syllables or, alternatively, pairs of unstressed and stressed syllables. However, the final syllable is often dropped altogether.